1 Gladiator Live in Krakow

Sitting in the Frankfurt Airport- I am still reeling from what turned out to be one of the most surprising, unanticipated, thrilling, stressful, but absolutely satisfying musical experiences I’ve experienced in a long time!

There are those moments in life that make you realize how small, but wonderfully cosmic the world can be. I did three things as a child. Watch movies, sing, and listen to A LOT of film music. Not all of my mass collection was vocalists; actually a large part of my 300 plus CDs (of course housed in a ludicrously large binder that eventually ended up weight more than half my body weight) was all instrumental. In particular, film music was often what you’d find me humming in the house, or doing my homework to. I’d have my portable cd player with me all the time, turn it on as loud as I could, slap on those clunky headphones and bathe myself in the music.

I had Howard Shore, Patrick Doyle, James Horner, John Williams, Ennio Morricone, Michael Kamen, all the big-name composers sitting side by side. But two albums that I would often play over and over and over again were Gladiator and Spirit Stallion of the Cimarron. Both composed by Hans Zimmer, his synthesized, larger than life brass, and unique pulsation of percussion instruments had a way of entrancing me, and letting me just appreciate the beauty that music composition can be. … Continue Reading

1 Chicago Update

Hello!

I am back from the windy city in all its summer glory! Two concerts of the 3rd and final installment of LOTR- the CSO and Ravinia Music Festival have proven to be one of the most exceptional orchestras I’ve ever had the opportunity to share the stage with.

With such a long-standing heritage of musicians, their ability to bring to life elements of Howard Shore’s score is simply brilliant. The LOTR movies can be an unusual project for symphony orchestras. The show requires the musical details that instrumentalists must perfect in classical repertoire, but also musicians must have the depth and stamina to play 3.5 hours with one intermission in order to make this contemporary work a success.

I find such joy seeing how this score comes to life each place we go. Having a dad as a trombone player, who used to have Northwestern and the CSO as his old stomping ground, It was such a time warp because in my dressing room, I looked up to find the EXACT same poster from Ravinia’s 50th year Anniversary season, which is the exact one hanging over my dads office for as long as I can remember!  I knew the gravity and history such an institution demanded! … Continue Reading